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Noisy, confrontational, and controversial, industrial music first emerged in the mid-1970s around bands and performance groups who combined avant-garde electronic music with the provocative attitude and style of punk rock. This book provides a critical history of this fascinating and enigmatic genre tracing industrial music's trajectory from Throbbing Gristle's founding of the record label Industrial Music in 1976, to its peak in popularity on the back of the band Nine Inch Nails in the mid-1990s, and through its decline to the present day.
Industrial music --- Music --- Music, Dance, Drama & Film --- Music History & Criticism, Popular - Jazz, Rock, etc. --- History and criticism --- Generic industrial music --- New musick (Industrial music) --- Dance music --- Popular music --- Industrie de la musique et du son. --- Musique industrielle --- Histoire et critique. --- History and criticism. --- Histoire et critique --- muziek --- muziek.
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By exploring the use of film in mid-twentieth-century institutions, including libraries, museums, classrooms, and professional organizations, the essays in Useful Cinema show how moving images became an ordinary feature of American life. In venues such as factories and community halls, people encountered industrial, educational, training, advertising, and other types of "useful cinema." Screening these films transformed unlikely spaces, conveyed ideas, and produced subjects in the service of public and private aims. Such functional motion pictures helped to shape common sense about cinema's place in contemporary life. Whether measured in terms of the number of films shown, the size of audiences, or the economic activity generated, the "non-theatrical sector" was a substantial and enduring parallel to the more spectacular realm of commercial film. In Useful Cinema, scholars examine organizations such as UNESCO, the YMCA, the Amateur Cinema League, and the Metropolitan Museum of Art. They also consider film exhibition sites in schools, businesses, and industries. As they expand understanding of this other American cinema, the contributors challenge preconceived notions about what cinema is. Contributors: Charles R. Acland, Joseph Clark, Zoe Druick, Ronald Walter Greene, Alison Griffiths, Stephen Groening, Jennifer Horne, Kirsten Ostherr, Eric Smoodin, Charles Tepperman, Gregory A. Waller, Haidee Wasson, Michael Zryd.
Nonfiction films --- Documentary films --- Films autres que de fiction --- Documentaires --- History and criticism --- History and criticism. --- Histoire et critique --- film --- cinema --- Films documentaires --- Histoire et critique. --- Nonstory films --- Motion pictures --- #SBIB: --- #SBIB:309H1313 --- #SBIB:309H1320 --- #SBIB:309H501 --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Mediapedagogiek (incl. mediadidactiek) --- Nonfiction films - United States - History and criticism --- Documentary films - United States - History and criticism --- cinema. --- film.
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#SBIB:39A8 --- Antropologie: linguïstiek, audiovisuele cultuur, antropologie van media en representatie --- visuele antropologie --- documentaires --- reportagefilms --- found footage --- film en etnografie --- Gaze in motion pictures. --- 778.5.01 --- Film ; documentaires : theorie --- Kunst nieuwe technieken ; theorie ; filosofie ; esthetica --- Documentary films --- Experimental films --- Gaze in motion pictures --- Gaze --- Motion pictures in ethnology --- 791.41 --- 791.43 --- antropologie --- cultuurfilosofie --- etnografie --- etnologie --- experimentele film --- film --- kunsttheorie --- perceptie --- psychologie --- video --- videokunst --- waarneming --- 778.5.07 --- Moving-pictures in ethnology --- Visual anthropology --- Body language --- Social perception --- Motion pictures --- History and criticism --- Psychological aspects --- Videokunstenaars, laserkunstenaars, computerkunstenaars, klank en beeld kunstenaars --- Motion pictures in ethnology. --- History and criticism. --- Psychological aspects. --- Music, Dance, Drama & Film --- Film --- Cinéma expérimental --- Films documentaires --- Films ethnographiques --- Regard --- Anthropologie visuelle --- Histoire et critique --- Aspect psychologique
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Historische artikelen over de cultuur in Vlaanderen in de jaren vijftig.
jaren 1950 --- 316.7 <493-17> --- Cultuursociologie --(algemeen)--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België --- 935.6 --- cultureel leven --- 316.7 <493-17> Cultuursociologie --(algemeen)--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België --- geschiedenis België - na 1945 --- Art flamand. --- Cultuurverandering. --- Flemish literature. --- Kulturleben. --- Littérature flamande. --- anno 1950-1959. --- Flandern (Belgien). --- Vlaanderen (België). --- 839.3 "19" --- geschiedenis --- België --- 20e eeuw --- muziek --- literatuur --- architectuur --- film --- beeldende kunst --- theater --- 839.3 "19" Nederlandse literatuur--20e eeuw. Periode 1900-1999 --- Nederlandse literatuur--20e eeuw. Periode 1900-1999 --- Civilization. --- Flemish literature --- Kunst. --- Popular culture --- Popular culture. --- History and criticism --- History --- 1900-1999. --- Belgium --- Flanders (Belgium) --- Vlaanderen. --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Vlaanderen (Belgium) --- Région flamande (Belgium) --- Flemish Region (Belgium) --- Vlaams Gewest (Belgium) --- Flandre (Belgium) --- History of civilization --- anno 1950-1959 --- Flanders --- Vlaanderen --- Civilization --- Popular culture - Belgium - Flanders - History --- Flemish literature - 20th century - History and criticism --- Flanders (Belgium) - Civilization --- LITTERATURE FLAMANDE --- FLANDRE (BELGIQUE) --- SOCIOLOGIE DE LA CULTURE --- 20E SIECLE --- HISTOIRE ET CRITIQUE --- VIE INTELLECTUELLE --- jaren 1950.
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